the refusal as gift

The outline of these “contributions” toward the preparation of the
transition is taken from the still-unmastered ground-plan of the historicality of the transition itself:
the resonating
the interplay
the leap
the grounding
the future ones
the last god
This outline is not a series of various considerations on sundry objects; nor is it a step-by-step ascent from the low to the high. It is a
preliminary sketch of the temporal-spatial playing field which the
history of the transition first creates as its own realm in order to decide, according to its own law, about the futureless ones, i.e., those who are always only “eternal,” and about the future ones, i.e., those who occur only once.

± Martin Heidegger, Contributions to Philosophy (Of the Event), p. 7-8


The resonating of beyng in its refusal.
The interplay of the questioning of beyng. The interplay commences with the first beginning playing over to the other beginning,
in order to bring the latter into play such that out of this mutual
interplay, the preparation for the leap develops.
The leap into beyng. The leap leaps into the abyss of the fissure and
so for the first time attains the necessity of grounding Da-sein, which
is assigned out of beyng.
The grounding of truth as truth of beyng: (Da-sein).

± Martin Heidegger, Contributions to Philosophy (Of the Event), p. 10

Yet beyng is not something “earlier”—existing in itself, for itself. Instead, the event is the temporal-spatial simultaneity for beyng and beings.

± Martin Heidegger, Contributions to Philosophy (Of the Event), p. 13

mesaj

for future cris
in ziua asta tu ai fost fericita
ai facut ce-ti place
ai mancat ce ti-ai gatit
ai dormit in ce ti-ai asternut
ai citit ce ai dorit
te-ai tavalit si te-ai alintat
ai vorbit cu oameni dragi
ai ascultat muzica buna
ai formulat ganduri clare, interesante, concise
ai initiat discutii care te-au luminat asupra trecutului tau
ai inteles ce faci bine si ce nu
ai avansat
esti bravo
mars nanita

ps. si-ai inteles ca fericirea ta, Hamlet, nu depinde de mama-Gertrude, de Ophelia, de regele pe care tu dai vina sau de orice altce circumstante cu care motivezi tristetea si nebunia ta
fericirea ta depinde doar de tine
ia-te in maini, Hamlet
to be (happy)

~

Nothing is built on stone; all is built on sand, but we must build as if the sand were stone.

to force or not to force, this is the question

nu cred ca tre de fortat

dar nu tre de renuntat pana cand inima nu e libera si sigura

sau poate tre

sau poate inima e mereu dubitativa

tre de gandit

caldurica

poate deasta sunt rece mereu

si mi-i frig in permanenta

si-mi tre mereu mai mult

pentru ca asa eu sunt cea care nu-i destul de calda

si nu stiu sa iubesc

si nu stiu sa dau

tre de schimbat totul

si de invatat a iubi

si a crede

si a da mai mult

The Cinematic Orchestra - Les ailes pourpres

NINJA TUNE XX - WEEK XI THE CINEMATIC ORCHESTRA, ROOTS MANUVA, JAGA JAZZIST & BONOBO - LIVE

mergeti aici pu a asculta toate chestiile astea minunate in live ;)

The Cinematic Orchestra - Channel 1 Suite

imi ies lacrimi cand ascult piesa asta, fabuloasa!!!
albumul este aici!

The Cinematic Orchestra - Burn Out

tare mi-i draga piesa asta
e asha de calda

The Cinematic Orchestra

sunt formatsii care traiesc in aer, in apa, in flori, in copaci, in plamani, in timpane

care chiar daca nu le ascultsi decat foarte rar, sunt mereu aici, in tine, cu tine
sunt trupe care nu dispar niciodata, de care nu te desparte nimic shi te apropie tot
sunt formatsii care se numesc frumos, care au multsi muzicieni shi care inseamna o stare de spirit pe care o cunoshti foarte bine
una din ele este acu in urechile mele shi se numeshte The Cinematic Orchestra - infuentsata de jazz shi downtempo, trupa asta britanica a intrat in viatsa mea acu multa vreme dar, de fiece data cand apare in winamp, trezeshte o frumoasa nostalgie a unei vietsi traite la Rennes, departe de casa shi de adevar
muzica lor mi-a adus linishte, acu imi aduce pacea
enjoy

The Cinematic Orchestra - All Things to All Men

all things are ours